I shoot weddings the way I capture everything else, rooted in the real moments. The hand on a shoulder before the ceremony starts, the way light moves across a reception as the night goes on, the small exchanges guests won’t remember happening but will feel in the photos. Nothing directed, nothing that interrupts the day to stage it.
How It Works
We start with a conversation about the day itself; the timeline, the people, what matters most to you, and what you’d rather I not worry about capturing. From there I build a loose shot list, not a rigid one, because the best moments are usually the ones nobody planned.
I move through the day the way a guest would: present, but not in the way. Getting ready quietly in the morning, the ceremony, the in-between hours where the day actually happens; the toasts, the dancing, the moment someone steps outside for air. Documenting the full arc rather than just the highlight reel is what makes a wedding feel like your wedding when you look back.
You get social-first images and video, ready to share, print, and hold onto. Fast turnaround, minimal back-and-forth, so you’re not waiting months to relive the day.
Finding the Right Format
Every wedding calls for something different. Some days want the immediacy of social-first iPhone content—quick, candid, posted before the reception even ends. Others call for something with more texture: a vintage hand cam for that soft, nostalgic look without the cost or wait of true film, or actual film photography for images that hold up when you look back in ten years. And for some, a few rolls of Super 8 add something none of the others can, a flicker, a warmth, a sense of watching the day rather than just seeing it.
Guest House 